(Note: This is Part 3 of a series I started earlier today)
11:59AM
O.R. 14 is quiet. The lights are off except for the one on the swing-arm over the my friend\’s instrument table. The reflection of the light off of the instruments make them seem heavenly, other-worldly.
Tones-of-voice are matter of fact, which is good. The surgeon is describing his actions to the medical student who is holding the camera today. If the surgeon is comfortable enough to talk about the surgery then that means all is going well. I can tell by his voice that things have gone pretty smoothly since first incision. If they had hit a rough patch earlier in the case then his tone would\’ve been different, tense.
If something bad happens in a case you\’re always worried it can happen again. It can affect how the whole day goes.
On the monitors you can see blood vessels. The image of the laparoscopic stapler on the screen is as big the medical student\’s head though in real life it\’s no wider than the average thumb. The surgeon is talking about how the staples he is applying will prevent any future bleeding from taking place. These staples are saving the life of my patient.
They haven\’t yet freed the kidney. That\’ll happen in another couple of hours. Right now they\’re sealing all the blood vessels they\’re going to cut.
My friends are very matter-of-fact. In the operating room you\’re always thinking about the next few steps. You want to make sure everything is where it should be and that you know where you can find things you need. There\’s a lot of instrument sorting, giving, and receiving. You\’re checking tips and untangling cords. You\’re looking at the meds on your table and making sure the kidney, once out, has a place to go.
The real tension will rise in about 40 minues when they start cutting the blood vessels to free the kidney. This is when a patient can (but shouldn\’t) bleed to death.
I left the operating room, quiet as it was, to examine the room my patient will be going to after she is strong enough to leave post-op recovery. I didn\’t tell the family we got her a bigger room. For that matter, I didn\’t ask the surgeon what meds he was going to prescribe upon discharge.
I don\’t want to assume everything will go fine because that\’s when disasters occur.
The family and the recipient are sitting in a little suite that looks like it was pulled right out of Ikea. It\’s a living room mock-up that feels surprisingly warm despite the fact that it is embedded in the middle of all this activity. They\’re watching TV though I can tell by the look on the mom\’s face that she wants this day to be over as soon as possible. She\’s going through her quiet hell.
They\’re glad to see me and comforted when I tell them, \”I just came from the operating room and everything is fine.\”
I look at the mom when I say those words.
I think I detected a little relief though it was brief. I\’m in my surgical scrubs with a blue O.R. gown – quite a contrast to this, what is now occuring to me, as a strangely bizare living room setting we\’ve created for our patients.
It\’s the opposite of the operating room.
I\’ll go back in about another hour or so.